These records won't collect themselves...
Meeting on a street corner symphony of doo-wop, therefore, is the genre of blues, and The “Mojo” Man tasked with compiling a track list that leans on both genres in equal measures. What is unique about this first volume, and continuing along the same path for the following volumes of this brand-new album series, is that blues and doo-wop are rarely compiled together, let alone seen in the same room together. Yet Blues Meets Doo Wop Volume 1 witnesses their paths crossing, whether knowingly or unwittingly, given that artists of both genres passed along the same corridors of recording studios and record labels, in addition to sharing the same backing musicians when required. With this latest addition of albums, Koko Mojo brings together said genres where blues communicates directly with doo-wop to present this version of historical events. Look no further than an amalgamated collection of the two styles coming together during Hank Ballard and The Midnighters’ ‘I Got A Mind To Leave You’, The Dominoes’ ‘Chicken Blues’, to notorious blues man John Lee Hooker graciously holding the door open for The Andantes to add textures of silk in the backing vocals of ‘Frisco Blues’. Other areas of great quality reveal themselves in The Holidays’ ‘Irene’, The Spaniels and ‘Hey Sister Lizzie’, the Leiber & Stoller penned ‘Riot In Cell Block #9’ performed by The Robins, to the perfect definition of this album series from The Larks with ‘Eyesight To The Blind’. Littered throughout with gifts from the gods, Blues Meets Doo Wop Volume 1 is a unique collection of twenty-eight tracks for your listening pleasure, covering a period of history rarely featured, let alone discussed, where blues and doo-wop shared numerous relationships, and the end results being these enigmatic tracks. Such is their nature, Koko Mojo is once again first to the post by delivering a unique slice of music nostalgia with Blues Meets Doo Wop Volume 1. Nathan Olsen-Haines (Koko Moj0)
£ 12.00
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Format: CD Album
Format: CD